15. August 2009
6
15
/08
/August
/2009
21:31
The structures of verse, chorus, and bridge look rather similar, but in my mind they have different tunes. I certainly hope that I’ll remember in a week or so what’s in my mind right now. If not - so what. This is the text (comments and corrections are welcome - I wrote it after a half bottle of wine in about 15 minutes):
Chorus:
shall I live
till the world's going under
shall I live
till the future is void
will there be
lightning and thunder
when the earth
at last is destroyed
Verse:
how come
that (just) one single species
has the power
to end it for all
come over them
like a terminal disease
making sure
that the strongest will fall
Chorus
Verse:
in our time
we created world wonders
in our time
we changed the world
the last plague
is what we come under
for the forces
that we unfurled
Chorus
Bridge:
when I die
the world will be gone
when I die
why should I care
while I live
I'd like to go on
while I live
I ask you to beware
Chorus
I used the Penguin Rhyming Dictionary a lot and by this means found "wonder", "unfurled" and "beware".
Published by Texter Bernd
12. August 2009
3
12
/08
/August
/2009
23:21
Instead of "we will party ... we will party all night long" it now reads "we'll be dancing ... we'll be dancing all night long". I knew that "we will party" was definitely not the language of the 19th century, but I found it funny nonetheless. I've re-considered and now decided that I'd rather stick with the appropriate language: cowboys danced, they didn't "party".
Published by Texter Bernd
2. August 2009
7
02
/08
/August
/2009
16:48
"outta control" is Karsten's dummy title for song no. 046. After checking my scrap book if maybe my ideas around "burst mode" might fit I came back to his own title and began inventing lines about being "out of control".
First trial:
I cannot help it
as it looks right now
things (are) running out of control
I wonder what can be done
I can't help it
it's outta control outta control
Several re-edits ("as things look right now / they're running ..." etc.). Since his song is pretty fast - 180 bpm - I extracted the Midi track representing the vocals for the chorus and listened to it at 100 bpm so I could easier match my words with it. And this is the current version of the chorus:
as things are looking now
they are
runiing out of control
don't know what I could have done
I just can't help it
they're out of control
As for the verses I'll probably have to apply the same method. I put down a few notes which do not fit the melody yet:
you tried to break me
domesticate me
you tried to make me
play by your rules
Published by Texter Bernd
1. August 2009
6
01
/08
/August
/2009
15:04
After giving Karsten's song number 044 time to rest in my mind so I maybe would come up with some ideas I've decided that I just leave it. I still haven't the faintest idea about a possible subject nor have I come up with suitable lines. Karsten's provisional title "shattered dreams" doesn't fit the tune at all, the many triplets seem to make it next to impossible to find any normal sentences that might fit.
My last trial on the chorus goes:
hold on to my precious dream
I'm not cryin' 'bout things that have been
hold on to my precious dream
Baby, I never will cry, never will cry
But that's crap! When I start filling in "baby", "yeah", "oh la la" et cetera in a chorus I just know that I won't get much further. It's my hobby, I'm not being paid thousands of bucks, so why bother... I'll have a look at Karsten's composition no. 046, it has an AC/DC touch to it.
Published by Texter Bernd
27. Juli 2009
1
27
/07
/Juli
/2009
13:51
Published by Texter Bernd
25. Juli 2009
6
25
/07
/Juli
/2009
15:22
I was in rhyming mode today. And after finding that I've got stuck with writing for Karsten - the many triplets giving me the creeps, what the fuck can you sing to match triplets except "la la la", well, anyway, I decided to give Martin's cowboy suite another go. And - voilá - here are all four parts. I used RhymeZone (http://www.rhymezone.com), dict.cc (http://www.dict.cc), and Google as little helpers - and my "Oxford Advanced Learner's Dictionary" (Cornelsen). Martin will yet have to check the lyrics against his musical ideas, of course.
part I
we've heard the songs, we know their words
'bout unbound freedom, songs of romance
the lonesome cowboy, grazing herds
and in the evenings go for a dance
the skilled horseman, standing tall
but we are twelve and always busy
- not so romantic after all
we'd hear bout villains and heavy drinking
gunslingers threatening our peace
we'd be reacting without thinking
and always being at our ease
we would be righteous and shoot them all
I only shot amountain cougar
- not so romantic after all
part II
on a northbound drive from Texas
moving slowly with the herd
one with nature, one with your horse
hardly ever give the spur
watching out for hints of lightning
could be meaning a stampede
attentive for signs of commotion
and always ready to turn the lead
doin' your job by way of feeling
can't be done straight by the book
endure the dull food at the evenings
better not offend the cook
livin' through weeks of heat and dust
appreciating heavy rains
drivin' the cattle toward the railhead
through canyons and 'cross endless plains
part III
you are my comfort, you are my sunshine
when the night is falling and I feel blue
when I've got through this I'll save the money
and I'll rush home to be with you
and I'll rush home to be with you again
part IV
we're reaching our destination
we wash and shave and clean
next to the railway station
we'll find a lively scene
the girls will be waiting there
and drinks we've missed so long
and we will be the masters there
we're jolly and we're strong
and we will party, we will party
we will party all night long
we've made good money, we feel rich
we're pushing through the throng
we've long enough suppressed the itch
we're jolly and we're strong
and we will party, we will party
we will party all night long
Published by Texter Bernd
24. Juli 2009
5
24
/07
/Juli
/2009
16:10
The "cowboy song" is supposed to become some kind of suite comprising an introductory spoken part and three short songs. I've concentrated on the second part that is sung:
on a northbound drive from Texas
moving slowly with the herd
one with nature, one with your horse
hardly ever give the spur
watching out for hints of lightning
could be meaning a stampede
attentive for signs of commotion
be prepared to turn the lead
doin' your job by way of feeling
can't be done straight by the book
endure the dull food at the evenings
better not offend the cook
after weeks of heat and dust
you'd appreciate some rain
drivin' the cattle toward(s) the railhead
through canyons and 'cross endless plains
I used an online rhyming dictionary and "googled" the expressions "turn the lead" and "give the spur" (if it's plural or singular, I decided on singular). Martin had provided a dummy text, so I could check the numbers of syllables and the intonation against it. One line might be a bit tricky to sing: "attentive for signs of commotion", here the stress should be shifted to "of". I'm not completely happy with the second verse, might have to exchange or regroup some lines.
Published by Texter Bernd
24. Juli 2009
5
24
/07
/Juli
/2009
07:57
I have posted a few of my songs on the unsigned band web site.
Bernd on UBW I also asked for reviews. Astonishingly, they did not come out as bad as I feared in spite of my rather lacking musical skills and crude arrangements.
Spartacus:
warm voice , i like the vocal mastering it is original, guitar sing well too, outro is excellent but song is short
Sounds like a demo by Roger Waters, which is good or bad depending on what you think of Roger Waters....
Cathedral:
I really enjoyed this piece of yours. It’s...well...different. Very innovative songwriting. I’m not sure about the marketability but it really does show how talented you are.
Bernd - I listened to this song several days ago and it’s stayed on my mind ever since...
The thematic vehicle that you’ve hatched here is brilliant and I love the way that you just hop in it and drive around...
The instrumental changes between chorus and verse serve to illustrate the point of your lyric in ways that go far beyond what the words themselves could ever achieve - the effect that you engineered that way is sheer brilliance.
Good work on this one, Bernd - I’m very glad that you shared it.
That was an interesting piece. It is a bit different from the norm. I’ll be listening to it again. Good job.
Hello Bernd,
I’ve just got around to listening to this and really liked it - it has something about it that I really like, but I can’t put my finger on it yet! I’ll have to have another listen when I’ve got a bit more time (things are a bit busy here at the moment).
Nice one
Terminal disease:
the music is nice i like it...sounds like 80's well formatted...rock for sure
With a stronger voice and a few musical alterations, the formatting of this song could make it a hit
Published by Texter Bernd
23. Juli 2009
4
23
/07
/Juli
/2009
16:05
Karsten's Midi files have numbers. I began working on number 44 today. Karsten actually has given it a provisional title - "shattered dreams", and since I had no ideas of my own I did a little brain storming around this phrase. I forgot to take the notes with me (can't read them properly anyway), but I took my little chart:
Chorus:
x - - - x - x
x - x - x - - x
x - - - x - x
x - x - - -x - - - x
hold on to my shattered dream
I'm not cryin' 'bout things that have been
broken pieces of my past
knowing all may be lost but my dreams will last
(cryin' sung like one syllable).
I will have to check it against the melody tonight, because my charts ('-' marking a syllable, 'x' standing for a stressed syllable) do not always suffice. I've probably come up with "hold on" because I've written a song for Holger with this title a short while ago. Doesn't matter, they won't come across each other.
Hey Karsten, you see, I've not forgotten you ...
Published by Texter Bernd
21. Juli 2009
2
21
/07
/Juli
/2009
12:46
Martin suggested writing a song about cowboys. That's a subject as far from my former lyrics as one can possibly get (I mention Jakaroos, i.e. Australian cowboys, in one of my songs, but that has been my only contact with this topic so far). So, how do I go about it?
1. collecting information
Wikipedia (always a good resource)
2. collecting ideas, images, phrases
on a northbound drive from Texas
moving slowly with the herd
teaming up with last year's companions (friends? mates?)
anticipating last year's girls (I use to hide at least one girl in each of my lyrics)
dull food, harsh conditions
always risking a stampede
eating beans from tins
I'll keep you updated.
Published by Texter Bernd